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Dublin Core
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Title
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<h3><strong>Public Service as a Profession (A-2)</strong></h3>
Description
An account of the resource
<p><em><strong>"Careers focused on lifting up our communities – whether it's helping transform troubled schools or creating after-school programs or training workers for green jobs. These careers are not always obvious, but today they are necessary."</strong></em></p>
<p>- Michelle Obama, First Lady of the United States</p>
<p>Public service embodies the ethical principles of the common good, service to others and social equity. Public service is important because the essential components of our society are largely carried out in the public sphere. For example, public service is rendered in: public education, public health, justice and security, environmental protection, museums and the arts. Public service attracts a special kind of individual and is often based on a sense of duty or an intense inner commitment to a cause that extends beyond the pressures of the moment. Those who work in public service institutions achieve great internal satisfaction by making a contribution to a society as opposed to a commitment to achieving only personal goals. They enter public service out of a desire to serve the public interest and to link themselves to the larger community.</p>
<p>The parameters of public service continue to change and expand in order to serve the diverse needs of growing populations, and its values framework is becoming more complex as it embraces ideas from multidisciplinary approaches. To meet the needs of our communities, education, training and professional practice in public service related fields should accommodate these developments.</p>
<p>Government and nonprofit organizations offer opportunities for building careers in public service. Government positions range from direct service providers to commissioners and cabinets secretaries. Typical employers include counties, townships, school districts, courts, legislative agencies, congressional offices and federal departments. Nonprofit positions range from hands-on functions to directors and officers. Typically employers include nonprofit agencies, foundations, charitable organizations, special interest groups, libraries, museums, historic sites, research organizations and educational institutions.</p>
<p>In the additional resources section to the right is an overview of a collection of public service narratives, <em>"Ask me why I care,"</em> under <em>"Tell your story."</em> They were curated by the University of Nebraska at Omaha College of Public Affairs and Community Service in a Public Service Stories Project. Project Co-Directors are Dr. Mary Hamilton and Ms. Rita Paskowitz.</p>
<p>The collection is presented in four groups and each group is accessible in the related VMPS galleries. Each group includes a set of suggested assignments for students. Further details are provided in the <em>Public Service Stories </em>exhibit, which can be opened below in this gallery.</p>
Some of the exhibits in this area contain oaths with which public servants pledge to serve their fellow citizens.
Dublin Core
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Title
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National Waste & Recycling Association Awards for Sanitation Workers
Subject
The topic of the resource
<h4><a href="https://vmps.omeka.net/exhibits/show/public-service-as-a-profession/ps-profession-gallery">Return to Public Service Profession</a></h4>
Description
An account of the resource
<strong>Driver of the Year Award</strong> <br /><br />This program honors those drivers who operate their trucks in a safe and responsible manner, have outstanding performance records, and whose contributions have enhanced the overall safety and image of the solid waste industry. This competition is a great way to recognize your best and safest drivers. <br /><br /><em>Other Awards by the NWRA </em><br /><br /><strong>Sustainability Partnership Game Changer Award</strong> <br /><br />This award recognizes partnerships that include municipal and county governments, regulatory agencies, community organizations and private industry that have successfully partnered to implement game-changing initiatives, policies or programs that advance sustainability in their community <br /><br /><strong>Excellence in Public Education Award </strong><br /><br />This award is open to public, private and non-governmental organizations that exemplify excellence in recycling or sustainability public education programs <br /><br /><strong>Recycling Equipment Innovator of the Year Award</strong> <br /><br />This award is open to recycling equipment designers and manufacturers that successfully challenge and advance recycling sector operations. <br /><br /><strong>Recycling Facility of the Year Award</strong> <br /><br />This award is open to all recycling facilities, new or existing. This honor recognizes the facility that leads all other facilities in one or more key measurements, such as innovation, quantity of materials collected and/or processed, types of materials recovered, site improvements, or sustainability measures adopted. Source: National Waste & Recycling Association
Creator
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National Waste and Recycling Association
Source
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Waste and Recycling <br /><br />Source: <a href="https://wasterecycling.org/page/Awards">National Waste and Recycling Association Rewards</a>
Relation
A related resource
National Waste and Recycling Association
Date
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No date given
Rights
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National Waste and Recycling Association
Publisher
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National Waste and Recycling Association
Contributor
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National Waste and Recycling Association
Format
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Logo
Language
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English
Type
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Award
Identifier
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Profession
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Virginia
Awards
Public Service
Recycling
Waste
-
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b9d7bdd6a79dbb35385f1f9dec8c68c4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<h3><strong>Russian Cartoons & Posters: From Red Tape to Red Square (G-1)</strong></h3>
Description
An account of the resource
<p>This collection consists of items from the art exhibit “Bureaucracy in Russian Art: Posters and Political Cartoons" (2010), produced by Rutgers, the State University of New Jersey, School of Public Affairs and Administration, in collaboration with the American University of Armenia and the Department of Sociology, St. Petersburg University, Russia. The collection features works that satirize bureaucracy.</p>
<p>Russian artists, like their American counterparts, have been calling our attention to conflicts between efficiency and ethics in organizational life, including ethical dilemmas faced by public servants; the unintended consequences for employees and clients of large bureaucratic organizational structures; and ways in which individuals are frustrated by, and cope with, large systems.</p>
<p>The exhibits in this gallery demonstrate the perception of the Russian artists that bureaucracy is dysfunctional, enervating, and inefficient, the antithesis of creativity, and a cancer in the social fabric. Their messages are, perhaps necessarily, negative. Their suggested solutions are seemingly superficial: use common sense, untangled red tape, treat people as human beings, and do not forget the organization’s objectives.</p>
<p>The display comprises primarily political cartoons and posters. Over a period of many decades political cartoons were disseminated in <strong><em>Krokodil </em></strong><em>(crocodile)</em>, a satirical magazine published in the former Soviet Union, as well as in other similar magazines. During the decades of the 1960s, 1970s and early in the 1980s a group of artists in Leningrad (St. Petersburg) known as the “Fighting Pencil,” produced anti-bureaucratic posters aimed to “open the boils on the body of the Soviet society.”</p>
<p>With the support of local officials, the anti-bureaucratic material was widely available throughout the Soviet Union and served to contend that bureaucracy was an obstacle to the success of Glasnost (openness) and Perestroika (the political and economic system), and warned that political and bureaucratic changes must go hand-in-hand.</p>
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Title
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Save more!
Subject
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<h4><a href="https://vmps.omeka.net/exhibits/show/russian-posters-gallery/russian-posters-gallery">Return to Russian Cartoons & Posters: From Red Tape to Red Square</a></h4>
Description
An account of the resource
"Poet: Alekseyev, V. “The Fighting Pencil” group, 1972
They met the savings quotas by hook and crook, and curves,
But for the celebration they ate not just hors d’oeuvres.
Commentary:
The poster criticizes the practice of lavish banquets and receptions common in some organizations—usually, after a successful completion of the year's production plan, or achieving another major objective. In many cases, the plans were hardly carried out, and there was a lot of waste of 6me and resources. The authors concentrate on the contradiction between these attitudes of work ethics and unearned zestful celebration."
Creator
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Kunnap, V.
Date
A point or period of time associated with an event in the lifecycle of the resource
1972
Rights
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Source: Holzer, M., Illiash, I., Gabrielian, V., & Kuznestsova, L. (2010). Red Tape from Red Square:Bureaucratic Commentary in Soviet Graphic Satirical Art. Poughkeepsie, NY: NetPublications
Format
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Medium: Poster
Identifier
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Art, Satire, Cartoons, Posters, Lavish, Waste, Corruption
Source
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Rutgers
Relation
A related resource
<a href="https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&cad=rja&uact=8&ved=2ahUKEwji97vM8cfnAhUphOAKHapGChcQFjAAegQIAhAB&url=https%3A%2F%2Fwww.amazon.com%2FRed-Tape-Square-Bureaucratic-Commentary%2Fdp%2F0942942116&usg=AOvVaw3itne_OTzN7RTVDFHi5THb">Amazon</a>
Publisher
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Rutgers
Contributor
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Rutgers
Language
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Russian
Type
The nature or genre of the resource
Artwork
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Russia
Art
Cartoons
Corruption
Lavish
Posters
Satire
Waste
-
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a1341b189eedf632358e314d41f4e5dd
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<h3><strong>Russian Cartoons & Posters: From Red Tape to Red Square (G-1)</strong></h3>
Description
An account of the resource
<p>This collection consists of items from the art exhibit “Bureaucracy in Russian Art: Posters and Political Cartoons" (2010), produced by Rutgers, the State University of New Jersey, School of Public Affairs and Administration, in collaboration with the American University of Armenia and the Department of Sociology, St. Petersburg University, Russia. The collection features works that satirize bureaucracy.</p>
<p>Russian artists, like their American counterparts, have been calling our attention to conflicts between efficiency and ethics in organizational life, including ethical dilemmas faced by public servants; the unintended consequences for employees and clients of large bureaucratic organizational structures; and ways in which individuals are frustrated by, and cope with, large systems.</p>
<p>The exhibits in this gallery demonstrate the perception of the Russian artists that bureaucracy is dysfunctional, enervating, and inefficient, the antithesis of creativity, and a cancer in the social fabric. Their messages are, perhaps necessarily, negative. Their suggested solutions are seemingly superficial: use common sense, untangled red tape, treat people as human beings, and do not forget the organization’s objectives.</p>
<p>The display comprises primarily political cartoons and posters. Over a period of many decades political cartoons were disseminated in <strong><em>Krokodil </em></strong><em>(crocodile)</em>, a satirical magazine published in the former Soviet Union, as well as in other similar magazines. During the decades of the 1960s, 1970s and early in the 1980s a group of artists in Leningrad (St. Petersburg) known as the “Fighting Pencil,” produced anti-bureaucratic posters aimed to “open the boils on the body of the Soviet society.”</p>
<p>With the support of local officials, the anti-bureaucratic material was widely available throughout the Soviet Union and served to contend that bureaucracy was an obstacle to the success of Glasnost (openness) and Perestroika (the political and economic system), and warned that political and bureaucratic changes must go hand-in-hand.</p>
Dataset
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Try to hit the target!
Subject
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<h4><a href="https://vmps.omeka.net/exhibits/show/russian-posters-gallery/russian-posters-gallery">Return to Russian Cartoons & Posters: From Red Tape to Red Square</a></h4>
Description
An account of the resource
Cover of Krokodil [Crocodile] satirical magazine, No. 17, 1965
Inscriptions on the papers: “Complaint,” “Application,”
“Request,” and “Appeal.”
To access “the holy body” of even minor public servants has been traditionally one of the greatest problems for petitioners seeking help or support, or submitting complaints. Armies of doormen, secretaries, assistants, etc. have inhabited offices of different bureaucracies, making personal meetings of ordinary people with “decision “makers” close to impossible. The artist presented this
situation as a futile effort to hit the desirable target—to be received by the boss of an office—exposing numerous levels of the bureaucratic organization and the wastefulness of time and human resources they entail.
Creator
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Fiodorov, Y
Date
A point or period of time associated with an event in the lifecycle of the resource
1965
Rights
Information about rights held in and over the resource
Source:
Holzer, M., Illiash, I., Gabrielian, V., & Kuznestsova, L. (2010). Red Tape from Red Square:Bureaucratic Commentary in Soviet Graphic Satirical Art. Poughkeepsie, NY: NetPublicaions
Identifier
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Art, Satire, Bureaucracy, Futility, Waste, Cartoons, Crocodile, Magazine
Source
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Rutgers
Relation
A related resource
<a href="https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&cad=rja&uact=8&ved=2ahUKEwji97vM8cfnAhUphOAKHapGChcQFjAAegQIAhAB&url=https%3A%2F%2Fwww.amazon.com%2FRed-Tape-Square-Bureaucratic-Commentary%2Fdp%2F0942942116&usg=AOvVaw3itne_OTzN7RTVDFHi5THb">Amazon</a>
Publisher
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Rutgers
Contributor
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Rutgers
Format
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Poster
Language
A language of the resource
Russian
Type
The nature or genre of the resource
Artwork
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Russia
Art
Bureaucracy
Cartoons
Crocodile
Futility
Magazine
Satire
Waste
-
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3a60b1716bf9cdf2f9fb44e02935834b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<h3><strong>Russian Cartoons & Posters: From Red Tape to Red Square (G-1)</strong></h3>
Description
An account of the resource
<p>This collection consists of items from the art exhibit “Bureaucracy in Russian Art: Posters and Political Cartoons" (2010), produced by Rutgers, the State University of New Jersey, School of Public Affairs and Administration, in collaboration with the American University of Armenia and the Department of Sociology, St. Petersburg University, Russia. The collection features works that satirize bureaucracy.</p>
<p>Russian artists, like their American counterparts, have been calling our attention to conflicts between efficiency and ethics in organizational life, including ethical dilemmas faced by public servants; the unintended consequences for employees and clients of large bureaucratic organizational structures; and ways in which individuals are frustrated by, and cope with, large systems.</p>
<p>The exhibits in this gallery demonstrate the perception of the Russian artists that bureaucracy is dysfunctional, enervating, and inefficient, the antithesis of creativity, and a cancer in the social fabric. Their messages are, perhaps necessarily, negative. Their suggested solutions are seemingly superficial: use common sense, untangled red tape, treat people as human beings, and do not forget the organization’s objectives.</p>
<p>The display comprises primarily political cartoons and posters. Over a period of many decades political cartoons were disseminated in <strong><em>Krokodil </em></strong><em>(crocodile)</em>, a satirical magazine published in the former Soviet Union, as well as in other similar magazines. During the decades of the 1960s, 1970s and early in the 1980s a group of artists in Leningrad (St. Petersburg) known as the “Fighting Pencil,” produced anti-bureaucratic posters aimed to “open the boils on the body of the Soviet society.”</p>
<p>With the support of local officials, the anti-bureaucratic material was widely available throughout the Soviet Union and served to contend that bureaucracy was an obstacle to the success of Glasnost (openness) and Perestroika (the political and economic system), and warned that political and bureaucratic changes must go hand-in-hand.</p>
Dataset
Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Your application is being looked into
Subject
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<h4><a href="https://vmps.omeka.net/exhibits/show/russian-posters-gallery/russian-posters-gallery">Return to Russian Cartoons & Posters: From Red Tape to Red Square</a></h4>
Description
An account of the resource
"Poet: Shkliarinsky, A. ""The Fighting Pencil” group, 1976
The promise is given only as a blind.
They will have to come back not once, not twice...
But many, many times."
Creator
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Travin, V.
Date
A point or period of time associated with an event in the lifecycle of the resource
1976
Rights
Information about rights held in and over the resource
Source:
Holzer, M., Illiash, I., Gabrielian, V., & Kuznestsova, L. (2010). Red Tape from Red Square:Bureaucratic Commentary in Soviet Graphic Satirical Art. Poughkeepsie, NY: NetPublications
Format
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Medium: Poster
Identifier
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Cartoons, Bureaucracy, Waste, Corruption, Art, Fighting Pencil
Source
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Rutgers
Relation
A related resource
<a href="https://www.amazon.com/Red-Tape-Square-Bureaucratic-Commentary/dp/0942942116">Amazon</a>
Publisher
An entity responsible for making the resource available
Rutgers
Contributor
An entity responsible for making contributions to the resource
Rutgers
Language
A language of the resource
Russian
Type
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Poster
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Russia
Art
Bureaucracy
Cartoons
Corruption
Fighting Pencil
Waste